Blink Murder

The Main Task

Blink Murder is the name we gave to the film that we made the opening sequence for as part of our main task. The brief was to create a 2 minute opening sequence for a film of any genre, including titles and a soundtrack, with no copyrighted materials. Please click the HQ option at the side to view in high quality and improve your viewing experience! Enjoy : )

The Prelim - Ugliest Jumper Ever

The Preliminary Exercise

This is our preliminary exercise, which we called Ugliest Jumper Ever. The aim was to create a sequence demonstrating good continuity techniques, and had to show match on action, shot/reverse-shot, and the 180-degree rule. The brief stated that it had to be 30 seconds long, and comprise of a character opening a door, crossing a room, and sitting down in a chair opposite another character with whom s/he exchanges a few lines of dialogue. Again, please click the HQ option for a better viewing experience!

Thursday, September 25, 2008

Film Industry Video Clips Notes

These are notes taken from some short video clips on the website http://www.launchingfilms.tv.

Release of a film
  • marketability - audience?
  • -> develop campaign to best communicate to that audience
  • how much money spent on marketing -> work out what film can take from box office in UK - appropriate budget level to reach box office potential that film has
  • marketing and promotions, publicity, talent (actors) in films and what they're happy with doing e.g. interviews, promos, premieres
  • what to spend budget on - posters, newspapers, radio, online, TV
  • choose primarily who film will appeal to best and best communication channels to use to reach that audience most effectively

Positioning and Audiences

  • define who audience is
  • - does film have specific genre?
  • - does it speak to a certain age group?
  • - to whom the directors and actors will appeal

Target Audience

  • with smaller titles it's very important to really identify target audiences and focus on them
  • - use research data from past films - who has been, the frequency of their visits, age, gender, what kind of cinema (local multiplex, cinema down the road..)
  • - pinpoint target audience as best you can
  • e.g. over 45s will take a week or two to go and see something at the cinema - advert needs reinforcing - with teenagers they might just go to the cinema and see if there's anything they fancy which may have just come out
  • - different audiences react differently, and need to be targeted differently - their decision making processes are different

Competition

  • HUGE amount of films out there
  • - need to stand above others to be noticed
  • - affecting facctors include: holidays, weather, audience patterns
  • - e.g. not much TV advertising in July and August - people watch less TV - in summer big outdoor posters are better
  • - e.g. 2. October half term there are lots of films out - it's dark early, rainy, boring... teenagers tend to go to the cinema

P&A Budget

  • includes: all costs of prints (actual film itself)
  • all various technical elements that go without shipping backwards and forwards etc.
  • advertising costs - most important part, inc. designing posters & press adverts, to making TV spots, to making a trailer for the cinema - then where they're advertised
  • target marget - banners on internet sites? TV ads?
  • - might not have a high enough budget for what you want - e.g. TV ads can be very expensive - radio ads are much cheaper, and have a huge audience around the country

Word of Mouth

  • critical - when you want it to happen depends on the film
  • - sometimes word of mouth will be very strong from start & so if they have the film early, they run audience screening programmmes -> free screenings before release
  • - that audience will tell their friends how great it is (if it is) and that they should see it when it comes out
  • - e.g. screening for 100 people and each tells 10 people that it's really good and they should go and see it - this multiplies the word on that film
  • - more likely to believe it from friends than seeing/hearing about it
  • word of mouth - when film is acquired late, they rely on advertising films - opening weekend, and then it's in the hands of the public -> if the word of mouth is bad, the life expectancy of the film is greatly reduced, and vice versa

Marketing Plan

  • main publicity = through advertising and press
  • advertising is expensive - adverts, magazines, newspapers, TV, radio, internet
  • more free forms of advertising = press etc.
  • - place features about films in magazines, set up interviews with directors, TV shows, radio...
  • outdoor advertising - expensive
  • screenings (word of mouth)
  • internet - email, viral campaigns etc.
  • word of mouth - especially important in specialised films - not as much money for big advertising

Film Trailers

  • trailer is most important key to selling film - public's first and only exposure in cinema to what they're going to buy into
  • - same environment etc. as when you'll see it
  • trailer must have right impact and message, down to the way graphics, sound, concept of film, are portrayed

Link Between...

  • must convince cinemas to take film - first major step
  • must sell to exhibitors first - find somewhere to put it

Digital Marketing

  • viral marketing = v. simple -> creating something, like element of a game, video, quiz, that, because it's so good, you will send it on when it's sent to you
  • most effective = word of mouth - best communication is someone saying their [good] opinion - you value their opinion, you know them etc.

Test Screenings

  • research - in advance, e.g. testing poster ideas, trailers, concepts of films -> meeting people's expectations, delivering to right audience in way you want it to
  • recruiting audience of target market - fill in questionnaires after the film, some people talk to them about issues - likes/dislikes etc.
  • studios might use this & change the film, maybe change the ending etc.

Persuading Cinemas

  • convince exhibitors to take film -> more difficult, independent films
  • first sell the film to the cinemas

Opening Weekend

  • VERY VERY IMPORTANT
  • 3-day-figure -> opening day (always a Friday) - Friday, Saturday, Sunday figures
  • - Monday = make-or-break - film must have been successful, and made more money than other films in that cinema as a rotation - if it's last, film is taken off
  • - films that are out for just a week = hold-overs
  • - based on how much money you made in that cinema in that weekend -> determines whether or not you get another play date

Piracy

  • escalated in UK over past 5 years
  • 2006 - piracy accounted for 20% of all DVD sales in UK
  • - British consumer may feel they're getting a bargain but are actually being ripped off by inferior quality
  • - money they spend on those pirate DVDs goes to various criminal elements they may not be aware of

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